Theatre, arts, culture, politics, and snark from a practicing playwright and recovering journalist.
Wednesday, January 13, 2010
Slings, Arrows, etc.
Ah. Aflutter goes the theatre universe, especially its playwrights, now that "Outrageous Fortune: the Life and Times of the New American Play" has finally been published. This is an in-depth study on the state of American playwrights, theatres, and the issues between the two, and it's pretty much required reading for playwrights, artistic directors, literary managers, and other theatre artists interested in new work who want to get a feel for what it's really like out there these days (spoiler: it blows).
Some preliminary findings were presented at the TGC conference last summer, but the whole study is now available from the Theatre Development Fund. However, if you haven't snagged a copy or can't afford it, a number of theatre bloggers are dissecting the thing, particularly a dedicated group over at Parabasis.
If you know a playwright, talk her or him off the ledge and give this book as a belated holiday present. Then nail shut the window.
Steve Patterson has written over 50 plays, with works staged in Portland, Los Angeles, Chicago, Detroit, Austin, Tampa, and other U.S. cities as well as in Canada and New Zealand. His works include: Waiting on Sean Flynn, Next of Kin, Farmhouse, Malaria, Shelter, Altered States of America, The Continuing Adventures of Mr. Grandamnus, Bluer Than Midnight, Bombardment, Dead of Winter, and Delusion of Darkness. In 2006, his bittersweet Lost Wavelengths was a mainstage selection at Portland Center Stage's JAW/West festival, and, in 2008, won the Oregon Book Award (he also was an OBA finalist in 1992 and 2002). In 1997, he won the inaugural Portland Civic Theatre Guild Fellowship for his play Turquoise and Obsidian.