Where we last left Luke Murphy ,
he’d been seriously injured playing hockey, did not know if he’d ever return to
the sport, and began to ponder his alternatives. One
of those involved taking up the pen...
From Professional Hockey Player to Published Novelist, Part Two
I really enjoyed the
process: coming up with a plot, developing characters and organizing a setting,
problem and conclusion. It only lasted a couple of weeks, and once we were
done, I kind of missed inventing, creating my own little world and characters.
I remember walking to my bedroom one morning
and seeing my roommate’s laptop sitting on the desk, and I thought…why not?
I sat down at the desk,
took the characters my girlfriend and I had created, and wrote an extension to
the story we had written together.
I didn’t write with the
intention of being published. I wrote for the love of writing, as a hobby, a
way to pass the time. Even after my eye healed up, and I returned to hockey, I
continued to hobby write through the years, honing my craft, making time
between work and family obligations.
Then I made a decision
to take my interest one step further. I’ve never been one to take things
lightly or jump in half way. I took a full year off from writing to study the
craft.
I constantly read, from
novels in my favorite genres to books written by experts in the writing field.
My first two purchases were “Stein on Writing”, a book written by successful
editor Sol Stein ,
and “Self-Editing for Fiction Writers” by Renni
Browne and Dave King .
I read through these
novels and highlighted important answers to my questions. My major breakthrough
from Stein’s book was to “Show don’t Tell”. I had to trust my readers. I even
wrote that phrase on a sticky note and put it on my computer monitor.
The Self-Editing book
helped me learn how to cut the FAT off my manuscript, eliminating unnecessary
details, making it more lean and crisp, with a better flow. I learned to cut
repetition and remain consistent throughout the novel.
I continually researched
the internet, reading up on the industry and process “What is selling?” and
“Who is buying?” were my two major questions.
I attended the “Bloody
Words” writing conference in Ottawa ,
Canada , rubbing elbows with other
writers, editors, agents and publishers. I made friends (published and
unpublished authors), bombarding them with questions, learning what it took to
become successful.
Feeling that I was
finally prepared, in the winter of 2007, with an idea in mind and an outline on
paper, I started to write DEAD MAN`S HAND. It took me two years (working around
full time jobs) to complete the first draft of my novel.
The first person to
read my completed manuscript was my former high school English teacher. With
her experience and wisdom, she gave me some very helpful advice. I then hired
McCarthy Creative Services to help edit DEAD MAN’S HAND, to make it the best
possible novel.
I joined a critique
group, teaming up with published authors Nadine
Doolittle and Kathy Leveille ,
and exchanging manuscripts and information. Working with an editor and other
authors was very rewarding and not only made my novel better, but made me a
better writer.
When I was ready, I
researched agents who fit my criteria (successful, worked with my genres, etc.)
and sent out query letters. After six months of rejections, I pulled my
manuscript back and worked on it again. Then in my next round of proposals, I
was offered representation by the Jennifer Lyons Literary Agency.
After months of editing with Jennifer, and more
rejections from publishers, my dream was finally realized in April, 2012, when
I signed a publishing contract with Imajin Books (Edmonton, Alberta).
Even today, a year after publishing my first
book, I’m stall amazed at the direction my life has taken. Never in my wildest
dreams would I have believed I would someday get paid to write books.
Sometimes life can be impossible to predict.
_________________________
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