splattworks

Theatre, arts, culture, politics, and snark from a practicing playwright and recovering journalist.

Saturday, March 8, 2014

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A new Splattworks post...Revisiting "The Twilight Zone": http://splatterverse.com/2014/03/08/revisiting-the-twilight-zone/
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Saturday, February 22, 2014

Vox in a Box

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First, the bad news: the real thing will set you back at least $1,600 new. At the low end. A true, working, vintage model will cost consid...
Monday, February 17, 2014

Mondo News

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After a ton of work, I'm finally able to announce this: my new website, Splatterverse ( www.splatterverse.com ) is now up and run...
Sunday, January 12, 2014

Why Write for the Stage?

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For a change, money is not the answer. Oh, one can make a buck or two writing plays, and there’s a refreshing point in one’s career w...
Sunday, January 5, 2014

Instant Play Mix: Add an Event, Bake Until Firm

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Nicholas Kristof writes in the New York Times this morning that one of America 's first priorities this year should be seriously addres...
Wednesday, December 4, 2013

How many again?

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Note: Splattworks now has broken the 500-post mark. Time flies when one babbles incessantly.
Wednesday, November 27, 2013

Tales from the Ice(pack)...continued

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Where we last left Luke Murphy , he’d been seriously injured playing hockey, did not know if he’d ever return to the sport, and began to p...
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Steve Patterson
Steve Patterson has written over 50 plays, with works staged in Portland, Los Angeles, Chicago, Detroit, Austin, Tampa, and other U.S. cities as well as in Canada and New Zealand. His works include: Waiting on Sean Flynn, Next of Kin, Farmhouse, Malaria, Shelter, Altered States of America, The Continuing Adventures of Mr. Grandamnus, Bluer Than Midnight, Bombardment, Dead of Winter, and Delusion of Darkness. In 2006, his bittersweet Lost Wavelengths was a mainstage selection at Portland Center Stage's JAW/West festival, and, in 2008, won the Oregon Book Award (he also was an OBA finalist in 1992 and 2002). In 1997, he won the inaugural Portland Civic Theatre Guild Fellowship for his play Turquoise and Obsidian.
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