I have, indeed, a simple wish for theatre.
I wish that each season, every artistic director would take a deep breath and program at least one play that truly scares the Holy Fucking Shit out of them. Not some "safe" dangerous play that's a little controversial or has a bit of nudity or a naughty word or two. Something brand new, raw and newly hatched, or seldom produced, obscure and bizarre--something so far out on the edge, so utterly dangerous and subversive and deep into the ozone that they wake up in cold sweats night after night, thinking: This could be it. This one could lose my theatre.
Just one. Even as a late night or a single performance.
Once a year, I want every theatre to sufficiently give a damn to roll the big dice. And, when the lights come up, I want audiences to sit paralyzed in their seats, afraid to move. And I want it to become as much a tradition as Dickens at Christmas. What? You didn't do a dangerous show this year? What the hell's wrong with you? Pussy.
Is that really so fucking much to ask?
I Interview Playwrights Part 929: Tyler Dwiggins - Tyler Dwiggins Hometown: Middletown, Indiana. Current Town: New York, NY. Q: Tell me about Orange Is the New Glass. A: Orange Is the New Glass i...
3 hours ago