So July is, mercifully, over. I knew it was going to be one of those months, given that I'd be wrapping up the End of the Pavement festival and participating in JAW. I did not know I'd being going half-mad and buying a guitar, but these things happen. The good news, for me--maybe not for the world at large--is I'm writing again. It just seemed like a few lines scribbled here or there, but I took stock today and realized I've written 40 pages on a new play, tentatively entitled "A Great Fear of Falling"; plus I started work on another, for the moment to remain secret, project.
The lonesome guitar strangling continues apace, but I'm happy to say that I've practiced every single day since I bought the damned thing, mastered a number of chords (even if I haven't mastered changing smoothly from one to another), and last night I very tentatively played the lead line into the Stones' "No Expectations." That was satisfying. I love that blues-slide shit. It'll even be more satisfying when I can actually play it.
Less satisfying but fun was playing perhaps the worst version of the Stones "Respectable" ever put forth. If you can imagine "Respectable" with psychedelic phase shifting played to a country beat...well, please don't. But at least I hit all the chords and it actually sounded like the song, even if the song was never meant to sound that way.
That's originality, right? Innit? Hello? I'm having much better luck playing the blues, which is what I bought the thing for to begin with. This week's addition of an effects pedal has greatly broadened the palette of sounds with which I have to play, and I can now make godawful screeching noises that could paralyze cats and cause sparrows to stiffen and fall from the trees.
Like I said: progress.
People You Should Know . . . Peter Gil-Sheridan - (Photo by Drew Bratton) *Peter Gil-Sheridan’s* work has been developed and/or produced by Soho Rep’s Writer/Director Lab, PlayPenn, InterAct Theatre, The G...
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