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So it’s not surprising that we’re home to Powell’s Books, possibly the best independently owned bookstore in the U.S. (unlike The Strand, you can find things) or that winners of the Oregon Book Awards consistently produce work of such quality. But it may be surprising to know Portland is increasingly known as a home for new stage works. There are some very fine playwrights here—many of them are friends of mine—and artistic directors around the country are looking to Portland Center Stage’s JAW Playwrights Festival as a source for hot new plays and playwrights, with JAW plays and authors being picked up by the regional theatre circuit. My suspicion is that trend will not only continue but grow.
Another notable Portland characteristic, which I think fuels new work development, is that there’s a very strong DIY spirit here. Toss any three people together at a Portland coffeehouse—and we are rotten with coffeehouses—and you’ll end up with either a band, a restaurant, or, possibly, a theatre company. You can produce a play here for a fraction of what it costs elsewhere, and, if the local critics slaughter you, you don’t have to throw yourself in front of the MAX train—you just mope for awhile, listen to too much Elliott Smith, then begin writing again.
Oregon’s mountains, particularly the Coast Range, are unbelievably verdant, overflowing with life and pocketed with thickets rich with mood and mystery. If there’s a relationship between environment and psychology, perhaps it’s no surprise that Northwesterners inhabit equally complex inner worlds that sprout ideas the way fall rains breed mushrooms: overnight, whole landscapes change.
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