Theatre, arts, culture, politics, and snark from a practicing playwright and recovering journalist.
Friday, October 26, 2007
Life with Mick & Keef
Thinking much of the Glimmer Twins of late, back when they were young and, as Gore Vidal said, so ugly they were pretty. Recently finished the first draft of a new two-act drama called "Next of Kin," which has do with a family reunited for a medical crisis. Sounds pretty pedestrian for me, given my onstage history with characters spontaneously exploding, turning into insects, and having telepathically induced orgasms (and that's all in one play), but the family patriarch in the new play is a totally whacked Vietnam Veteran, hardcore helicopter pilot, and rabid Rolling Stones fan who named his kids after the band members; so I've been listening to the Stones more than usual.
I guess anyone who gives a damn about rock'n'roll (or whatever myriad forms popular music has mutated into) hooks into a certain band, and that music comes to punctuate moments of their lives. It's not necessarily transferable: I start talking about the Stones, and I can see my wife's attention...drift...elsewhere. As well it probably should.
But there is one Stones memory that haunts me. It was back in the early 80s, wintertime, and I was driving by night to Southern Oregon. In a space of about 50 miles, there are four mountain passes and valleys one has to negotiate, and the driving can get a bit tricky. It had to be past midnight. I'd stopped in a little town called Canyonville, loaded up on coffee at a truck stop (and, perhaps, I might have had another, substantially more powerful stimulant in my system as well). Anyway, put on "Sticky Fingers," took a deep breath, and began climbing the first of the passes.
It was going pretty well, but, as I started climbing Mt. Sexton, the final pass, it began to snow. Millions upon millions of thick, drifting flakes, immediately beginning to stick. I could feel my tires not quite connecting--this was in an old, heavy Ford with rear-wheel drive--and I knew I not only had the pass to cross but a long, steep grade down the mountain, probably into a blizzard. White-knuckle driving if there ever was one, and then the Stones' "Moonlight Mile" came on, it's drifting, dreamy mood and rhythm seeming in concert with the snowflakes sweeping before my headlights, and it was like everything went...click. A perfect moment. Genuinely dangerous, stunningly beautiful. One you never forget. Forever, in the mind's eye, the snow falling, the guitars keening, and Jagger whispering in your ear:
When the wind blows and the rain feels cold With a head full of snow With a head full of snow In the window there's a face you know Don't the nights pass slow Don't the nights pass slow
Steve Patterson has written over 50 plays, with works staged in Portland, Los Angeles, Chicago, Detroit, Austin, Tampa, and other U.S. cities as well as in Canada and New Zealand. His works include: Waiting on Sean Flynn, Next of Kin, Farmhouse, Malaria, Shelter, Altered States of America, The Continuing Adventures of Mr. Grandamnus, Bluer Than Midnight, Bombardment, Dead of Winter, and Delusion of Darkness. In 2006, his bittersweet Lost Wavelengths was a mainstage selection at Portland Center Stage's JAW/West festival, and, in 2008, won the Oregon Book Award (he also was an OBA finalist in 1992 and 2002). In 1997, he won the inaugural Portland Civic Theatre Guild Fellowship for his play Turquoise and Obsidian.